- Peter Brook = amazing. I’d heard of him, I have a book by him, I saw a play all about foreigners dreaming to see a play directed by him, and still, nothing prepared me for actually seeing his work.
- The entire production had a beautiful minimalism to it. Simple and brightly-colored chairs littered the stage, some upright, some knocked over. All were used in multiple ways. Movement, blocking, text; all remarkably precise.
- The story itself was presented with an unusual yet very fitting tone. A man catches his wife cheating on him, and instead of reacting with some kind of outward physical aggression, he identifies the suit of the man she was with as a ‘new guest’ who the wife must treat with infinite hospitality. There’s something sick and twisted about it all, but somehow the play remains light on it’s feet and there’s plenty of laugh-out-loud, touching, warm moments presented above the bubbling rage.
- Thrilling music– accordion, guitar, lots of singing– all wonderful. Most of the songs were well-fitting unknowns, so it was a particularly interesting choice to include Feelin’ Good by Nina Simone.
- I know it wasn’t technically part of the show, but Peter Brook came out after the performance and talked for about 45 minutes without a moderator (because he’s never liked anything in moderation!) and that was just as good as the show itself. See below.
- The ending is tragic, yet also feels inevitable. Because the event of the end held no surprise in itself, I wish the manner by which it came was less predictable. I hate to sound horrific– but something loud like a gunshot or violent with screaming would have been a powerful contrast to the quietly percolating emotions that pervaded the rest of the play. To throw out a TV reference, I think the most tragic moment in Battlestar Galactica was this event with Dualla (spoiler alert), precisely because of how calm everything around it was.
Tales from After the Show
- Peter Brook is truly a genius. And he’s a wonderful performer in his own right– endlessly fascinating to hear speak about most any subject. He’s funny, witty, and above all else, British. He spoke about his method of starting a production by throwing everything at it then carving away until there’s absolutely no excess, how he feels about theatre in the age of technology, how the apartheid serves as the backdrop of ‘The Suit’, and the importance of filching brilliant ideas from others. You can download the entire talk-back for your listening pleasure here.