• Matthew Bourne is always fantastic– no exception here.
  • Wonderful adaptation of the classic tale– he pulls the best plot beats from the various adaptations we’re familiar with, and even. How do we make Aurora’s true love stay alive long enough to be with her when she wakes? Vampirism! Why not?
  • Loved how when we see the ‘predicted future’ presented to the king and queen, Aurora and her true love where masks that make them faceless, signifying that they are not yet real people.
  • Love the casting of Carabosse (Maleficent in the Disney version) as a guy, still in high heels, towering and terrifying. Then to also have the same actor/dancer playing her avenging, don-juan-esque son was perfect.
  • Costumes were gorgeous. Excellent balance between the fanciful mystique of the fairy world and the period piece nature of the first half of the tale. Always the right flow to accentuate that character’s movements.
  • Clearly that last bullet point was dictated to me by Liz. Here’s another: the dancer who played the good fairy was a standout– his movements were alternatively strong, elegant, and ethereal all in the service of his character.
  • Forced perspective set design was perfect. Particularly loved the veranda… looking up at the ‘only a model‘ palace with a dramatic sunset behind it. Sublime.
  • 100 year jump forward was a wonderful idea, and the costumes (mostly hooded-sweatshirts and jeans) provided ripe opportunities for dance styles that would have been near-impossible in the period piece outfits.
  • The killing of Carabosse by the good fairy (spoiler alert!) is excellently done. Catharsis!


  • Too much baby. I get it– it’s a cute puppet, but 20 minutes of it were more than enough.
  • Music not as memorable as the Swan Lake or Dorian Gray productions.
  • A critique of the City Center venue : Liz and I were seated in the mezzanine in seats A1 and A2. Those sound like good seats, right? We were close to the stage, and would have had a great view, if not for the inexplicable extra depth in our row which placed the heads of those seated in front of us squarely in our view of about 40% of the stage. Add a jittery, and you have yourself a lot of breaks in your suspense of disbelief.


Random Fun Fact:

  • Stephen Fry was there! I walked right by him! He was rocking his Twelfth Night goatee! Awesome.