Jeff Golblum plays a guy who can’t stand to be monogamous with his wife, and keeps going after younger people. In real life, Jeff Goldblum was married and divorced twice, then has dated on and off with numerous people for the past 23 years. His current girlfriend is half his age.
Laurie Metcalf plays Jeff Goldblum’s wife and the mother of their two children. She is sickened by her husband’s actions and can’t stand the sight of him anymore. In real life, she recently filed for divorce after a nearly 20 year marriage, also with two children.
This show has meant a lot to me since I started watching in June of 2010. I was in a terribly-depressing, sweat-shop-like job working for a starchitect, and Breaking Bad carried me through that experience. Like Jesse imagining himself in a woodshop, this was the mental escape that kept me sane. I will always be grateful for that. Sometime in the future, probably after going back and rewatching the series in it’s entirety, I will likely write a full retrospective. But for now, since a few days have passed, I feel comfortable giving my ruminations on the end of my favorite show:
I think the true genius of the conclusion of Breaking Bad is that we weren’t given just one ending– we were given three. And not in a Lord of the Rings, too-many-endings kinda way, but in a ‘thematic variations’ kinda way, conveniently tied to each of the last 3 episodes.
1) Ozymandias. The episode Vince Gilligan said was the best Breaking Bad episode they ever made, brings the karmic force of Walter White’s misdeeds full circle. Hank dies, Walt sends Jesse to his death, Walt Jr. and Skyler see him as a monster, call the cops on him, and force him to change his identity and leave town. It’s emotionally exhausting, full of twists and turns, wholly dark, and forces the kind of mad-improvisation out of Walt we’ve come to expect from Breaking Bad. It’s full of callbacks to the pilot. It’s where the glorious, all-powerful Heisenberg truly dies, and Walt can no longer pretend that those close to him are better off thanks to his influence. Now, can you imagine if the final shot of the entire series was him driving off in that red van? It would have been powerful, harrowing, divisive, and debated for ages. It gave us what I’m calling the ‘emotional’ ending to the show; where things became irrevocably awful and at long last, Walt didn’t have the lying power to convince himself otherwise.
2) Granite State. Here’s where we see the ending that so many people felt Walt deserved: a kind of purgatory or prison, stuck living without any power (literal and figurative), knowing no one loves him, slowly dying and left with nothing but the weight of the enormity of his sins. It was slow, quiet, depressing, contemplative. To end the series after the Charlie Rose talk, whiskey glass half-empty (or half-full?), can you imagine? As the Breaking Bad theme swells for the first time ever during the show proper, we would have been left to put the pieces together ourselves for what Walt does with the machine gun and and ricin, though as became evident later, many of us were spot on. Without the spoon-feeding that came in the next episode, this was the ‘intellectual’ ending to the show.
3) Felina. Personally, I’m glad we were given this ending, as despite the checkbox quality to it all and the nice little bows that were put on everything, it was sweet, and it was satisfying. Surprises were few and far between, but like eating chocolate cake from a bakery you’ve heard nothing but good things about, sometimes it’s okay to have your expectations met. Ozymandias and Granite State were entrees– this was dessert. This was for people who didn’t have the stomach for the open-endedness of the show concluding on either of the other two episodes. For the first time ever, almost nothing went wrong for Walt– no being abducted on his way to assassinate Gale, no Spidey-sense Gus avoiding his car in the parking garage. Walt got what he wanted, and was able to gesture toward the idea of being a good person before dying with contentment on his face. Jesse was ‘freed’ and all the people we hated died. This was the ‘Hollywood’ ending.
Within those parameters, there’s still a lot of room for theories and speculation. For example, I like the interpretation proposed by Emily Nussbaum, that Felina is just the fantasy of a powerless, dying man stuck in New Hampshire– that the moment those keys fell out of the visor and the snow fell away with a Fonzy-bop, we were living inside Walt’s head, where everything goes just the way he wants with little-to-no hitches. Cool, I say. By questioning the ‘realism’ of any of the final episodes, you are given the tools to shape the ending as you wish. I don’t think that’s ever happened with a season finale before.
I love the fact that these final episodes allow you, the viewer, to read whatever you want into them. So I choose to read that I wasn’t just given the ending I wanted, I was given three of them.
What do you think? Which of the three episodes did you enjoy the most?