A quick word: I’ve never liked Neil LaBute. I fell asleep during The Mercy Seat, found Fat Pig funny but lacking in substance, and The Break of Noon was one of the most worthless experiences I’ve ever had at the theatre. I was ready to give up, but I’m glad I didn’t.
Tales from After the Show…
Leslie Bibb led a fantastic talkback along with one of the MCC’s artistic directors (Will Cantler) and the associate general manager (Jessica Chase), providing great insight into the development of the show and LaBute’s writing/directing process. LaBute’s relationship with the MCC was covered in detail, and Leslie spoke at length about what draws her to pursue theatre when she’s clearly doing fine at film and television. I also got to ask her about how the play evolved from when Neil first gave it to them, to the point where it was now in previews and she had a ton of fun with the audience taking us through that experience. She showed us her script and it was full of slashes and chunks of dialogue moved to other pages and subtext and just, wow. Looked like the writings of an insane person, but in the best possible way.
Download the full 30-minute talkback here.
Okay okay, so I shouldn’t really be reviewing this because it was put on by the theatre group I cofounded while at Syracuse, WhAT (Warehouse Architecture Theatre), but this is a good moment for reflection.
First of all, I had nothing directly to do with this production. WhAT was founded in Fall of 2006, and I was deeply involved in everything it did until my graduation in May of 2010. Three years later, I was invited by the current trio to come see WhAT’s final production involving people whom I personally knew, before the group goes on to be run and operated entirely by people I don’t know. Passing of the torch kinda stuff. Anyway, it was a thrilling weekend of old friends and new, and I now feel super confident in the future of my baby.
And here’s some thoughts on the show:
– LOVED LOVED LOVED the cardboard set designed by Beryl Tayte Johnsen-Seeberger. It made the scenes where character comment on the beauty and tax-deductible quality of this amazing desk all the more hilarious. And when things fell apart, it allowed the actors to riff on what an old house they’re in! Lines like ‘She’s dead!’ and ‘So is my desk…” were gut-busting. Oh, and all the cardboard weapons, complete with Easter Eggs like a lightsaber, were delightful. And the cardboard crossbow actually worked!
– a lot of the dialogue was presented with a certain wooden style that I wasn’t a fan of at first, but grew to love as the play progressed.
– really fun show as its written. I saw the movie with Michael Caine and Christopher Reeve, but didn’t remember it that well, so all the twists and turns were delightful. I love the meta commentary throughout as the main characters discuss writing the show that they are now in, and even bring up things like scenes that seem to be missing that include important information about key characters (just like in the real show!)
– Ethan Blank almost died! I flashed back to our second season in Spring of 2007 where the giant green wall we made for our Picasso at the Lapin Agile set almost fell on AJ, and Jon Yoder almost became Batman to save her. Anyway, Ethan was getting choked in what was even supposed to be fake within the play, but he passed out and woke up backstage having no idea where he was. Yikes!
After the show, I gave a little presentation to keep up the whole ‘passing of the torch’ motif. Just for fun, here’s the pdfs of the presentation I gave, and the presentation I gave on behalf of Danton. At the cast party I got to spend more time with the awesome new folks who will be running WhAT from here on out, and the only thing that makes me sad is NONE of them are architecture majors, even though WhAT currently still does most of its performing and rehearsing out of the architecture school in Slocum Hall.
This makes me wonder if my archie friends and I who did WhAT throughout school are strange. Myself, and most of them, I’m confident would have joined a theatre group like WhAT if it already existed. The architecture school is so laser-focused on just architecture, I think we all would have gone crazy without any other creative outlets. Maybe there’s too much hostility toward WhAT because sometimes they’re too loud and bother the students focused on their studio projects? Maybe not as many of them enjoyed theatre in high school as I thought? Or maybe none of them have any idea what a huge bonus it is to your job prospects if you leave school as a well-rounded individual with many talents.
Alas, this lack of architecture majors is truly my only regret, but I am proud and humbled by WhAT’s legacy as it lives on, soon entering its fourteenth season!
Tales from After the Show…
Tales from After the Show